Timing for animation 3rd Edition by Harold Whitaker, John Halas, Tom Sito 1000338225 9781000338225

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ISBN-10 :  1000338225 

ISBN-13 :  9781000338225

Author:  Harold Whitaker, John Halas, Tom Sito 

Timing for Animation has been one of the pillars of animation since it was first published in 1981. Now this 40th anniversary edition captures the focus of the original and enhances this new edition with fresh images, techniques, and advice from world-renowned animators. Not only does the text explore timing in traditional animation, but also timing in digital works. Vibrant illustrations and clear directions line the pages to help depict the various methods and procedures to bring your animation to life. Examples include timing for digital production, digital storyboarding in 2D, digital storyboarding in 3D, and the use of After Effects, as well as interactive games, television, animals, and more. Learn how animated scenes should be arranged in relation to each other, how much space should be used, and how long each drawing should be shown for maximum dramatic effect. All you need to breathe life into your animation is at your fingertips with Timing for Animation. Key Features: Fully revised and updated with modern examples and techniques Explores the fundamentals of timing, physics, and animation Perfect for the animation novice and the expert Get straight to the good stuff with simple, no-nonsense instruction on the key techniques like stretch and squash, animated cycles, overlapping, and anticipation. Trying to time weight, mood, and power can make or break an animation—get it right the first time with these tried and tested techniques. Authors Harold Whitaker was a BAFTA-nominated professional animator and educator for 40 years; many of his students number among today’s most outstanding animation artists. John Halas, known as “The father of British animation” and formerly of Halas & Batchelor Animation Studio, produced more than 2,000 animation films, including the legendary Animal Farm (1954) and the award-winning Dilemma (1981). He was also the founder and president of the International Animated Film Association (ASIFA) and former Chairman of the British Federation of Film Societies. Tom Sito is Professor of Animation at the University of Southern California and has written numerous books and articles on animation. Tom’s screen credits include Shrek (2001) and the Disney classics Who Framed Roger Rabbit (1988), The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and The Lion King (1994). In 1998, Tom was named by Animation Magazine as one of the 100 Most Important People in Animation.

Timing for animation 3rd Table of contents:

1. Timing for Broadcast Media
2. Timing for Full Animation
3. Timing in General
4. What Is Good Timing?
5. The Storyboard
6. Traditional Storyboards
7. Digital Storyboarding
8. 2D Storyboarding
9. 3D Storyboarding—Pre-Visualization
10. Additional Storyboard Effects
11. Responsibility of the Director
12. Directing for Interactive Games
13. The Basic Unit of Time in Animation
14. Timing for Television, Web-Based Programming vs. Timing for Features
15. Slugging
16. Bar Sheets
17. Timing for a Hand-Drawn Film: Exposure Charts or Exposure Sheets
18. Timing for an Overseas Production
19. Timing for a 2D Digital Production
20. Timing for a 3D Digital Production
21. Timing for an Actor-Based Program (Performance or Motion Capture)
22. Animation and Properties of Matter
23. Movement and Caricature
24. Cause and Effect
25. Newton’s Laws of Motion
26. Objects Thrown Through the Air
27. Timing of Inanimate Objects
28. Rotating Objects
29. Irregular Inanimate Objects
30. Animate Objects—Characters
31. Force Transmitted Through a Flexible Joint
32. Force Transmitted Through Jointed Limbs
33. Spacing of Drawings—General Remarks
34. Spacing of Drawings
35. Timing a Slow Action
36. Timing a Fast Action
37. Getting Into and Out of Holds
38. Single Frames or Double Frames? Ones or Twos?
39. How Long to Hold?
40. Anticipation
41. Follow Through
42. Overlapping Action
43. Timing an Oscillating Movement
44. Timing to Suggest Weight and Force—1
45. Timing to Suggest Weight and Force—2
46. Timing to Suggest Weight and Force—3
47. Timing to Suggest Weight and Force—4
48. Timing to Suggest Force: Repeat Action
49. Character Reactions and “Takes”
50. Timing to Give a Feeling of Size

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