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Product details:
- ISBN-10 : 3319665502
- ISBN-13 : 9783319665504
- Author: Christopher Braddock
This book explores Māori indigenous and non-indigenous scholarship corresponding with the term ‘animism’. In addressing visual, media and performance art, it explores the dualisms of people and things, as well as ‘who’ or ‘what’ is credited with ‘animacy’. It comprises a diverse array of essays divided into four sections: Indigenous Animacies, Atmospheric Animations, Animacy Hierarchies and Sensational Animisms. Cassandra Barnett discusses artists Terri Te Tau and Bridget Reweti and how personhood and hau (life breath) traverse art-taonga. Artist Natalie Robertson addresses kōrero (talk) with ancestors through photography. Janine Randerson and sound artist Rachel Shearer consider the sun as animate with mauri (life force), while Anna Gibb explores life in the algorithm. Rebecca Schneider and Amelia Jones discuss animacy in queered and raced formations. Stephen Zepke explores Deleuze and Guattari’s animist hylozoism and Amelia Barikin examines a mineral ontology of art. This book will appeal to readers interested in indigenous and non-indigenous entanglements and those who seek different approaches to new materialism, the post-human and the anthropocene.
Table of contents:
Chapter 1 Introduction: Animism and Animacies
Chapter 2 Te Tuna-Whiri: The Knot of Eels
Chapter 3 Activating Photographic Mana Rangatiratanga Through Kōrero
Chapter 4 Dark Sun: Solar Frequencies, Solar Affects
Chapter 5 Language as a Life Form
Chapter 6 The Storm and the Still in the Art of Bridie Lunney
Chapter 7 Animate Atmospheres: Art at the Edge of Materiality
Chapter 8 Intra-inanimation
Chapter 9 Animacies and Performativity
Chapter 10 Animism, Animacy and Participation in the Performances of Darcell Apelu
Chapter 11 Exploring Posthuman Masquerade and Becoming
Chapter 12 The Animist Readymade: Towards a Vital Materialism of Contemporary Art
Chapter 13 Sound Fossils and Speaking Stones: Towards a Mineral Ontology
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