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Product details:
- ISBN 10: 3030176207
- ISBN 13: 9783030176204
- Author: Casie Hermansson
This volume explores film and television for children and youth. While children’s film and television vary in form and content from country to country, their youth audience, ranging from infants to “screenagers”, is the defining feature of the genre and is written into the DNA of the medium itself. This collection offers a contemporary analysis of film and television designed for this important audience, with particular attention to new directions evident in the late twentieth and early twenty-first centuries. With examples drawn from Iran, China, Korea, India, Israel, Eastern Europe, the Philippines, and France, as well as from the United States and the United Kingdom, contributors address a variety of issues ranging from content to production, distribution, marketing, and the use of film, both as object and medium, in education. Through a diverse consideration of media for young infants up to young adults, this volume reveals the newest trends in children’s film and television andits role as both a source of entertainment and pedagogy.
Table of contents:
1. Children’s Film and Television: Contexts and New Directions
Part I. Adaptation and Intertextuality in Children’s Television and Film
2. Adaptations for Young Audiences: Critical Challenges, Future Directions
3. Easy A(daptation): Sex, Fidelity, and Constructing the Unknowing-Knowing PG-13 Teen Audience
4. In Medias Res: The Remediation of Time in Lemony Snicket’s A Series of Unfortunate Events
5. Revisiting Comfort Women History and Representing Trauma in South Korean Films Never Ending Story and Herstory
6. New Shoes, Old Paths: Disney’s Cinderella(s)
7. Reimagining Alice Through the Intertextual Realm of Children’s Film and Television
Part II. The Possibility of Childhood: Gaining Experience Without Coming of Age
8. It’s Alive … AGAIN: Redefining Children’s Film Through Animated Horror
9. From Anxiety to Well-Being: Openings and Endings of Children’s Films from Japan and South Korea
10. The Reign of Childhood in Wes Anderson’s Moonrise Kingdom
11. Growing Up in the Upside Down: Youth Horror and Diversity in Stranger Things
Part III. Adult Discourses in Children’s Film
12. Change and Continuity in Contemporary Children’s Cinema
13. Entering the Labyrinth of Ethics in Guillermo del Toro’s El laberinto del fauno
14. Male Wombs: The Automaton and Techno-Nurturance in Hugo
15. Constructing Childhood in Modern Iranian Children’s Cinema: A Cultural History
Part IV. Identity, Race, and Class
16. Dancing in Reality: Imagery Narration and Chinese Children’s Film in the New Millennium
17. In Search of the Elusive Bird: Childhood from the Margins in Fandry
18. Re/Presenting Marginalized Children in Contemporary Children’s Cinema in India: A Study of Gattu and Stanley ka Dabba
19. Power, Prejudice, Predators, and Pets: Representation in Animated Animal Films
Part V. The Tension Between Global and Local
20. Negotiating National Boundaries in Recent British Children’s Cinema and Television
21. Global Stories, Local Imagination: Glocal Innovations in Filipino Children’s Films
22. The Iron Curtain Opens: The History of Hungarian Children’s Television in Five Acts
Part VI. Film Literacy and Education
23. Children’s Literature on Screen: Developing a Model of Literacy Assets
24. Pedagogies of Production: Reimagining Literacies for the Digital Age
25. Bridging Urban/Rural and Digital Divides: New Directions in Youth Media Education
26. Film, Arts Education, and Cognition: The Case of Le Cinéma, cent ans de jeunesse
Part VII. The Influence of Form and Platform
27. Perpetuating Gender Stereotypes from Birth: Analysis of TV Programs for Viewers in Diapers
28. Data Science, Disney, and the Future of Children’s Entertainment
29. Never-Ending Sequels? Seriality in Children’s Films
30. Contemporary Children’s Film, CGI, and the Child Viewer’s Attention
31. Finding the Hidden Child: The (Im)Possibility of Children’s Films
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