Hearing the Crimean War: Wartime Sound and the Unmaking of Sense 1st Edition by Gavin Williams – Ebook PDF Instant Download/DeliveryISBN: 0190916770, 9780190916770
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Product details:
ISBN-10 : 0190916770
ISBN-13 : 9780190916770
Author: Gavin Williams
What does sound, whether preserved or lost, tell us about nineteenth-century wartime? Hearing the Crimean War: Wartime Sound and the Unmaking of Sense pursues this question through the many territories affected by the Crimean War, including Britain, France, Turkey, Russia, Italy, Poland, Latvia, Dagestan, Chechnya, and Crimea. Examining the experience of listeners and the politics of archiving sound, it reveals the close interplay between nineteenth-century geographies of empire and the media through which wartime sounds became audible–or failed to do so. The volume explores the dynamics of sound both in violent encounters on the battlefield and in the experience of listeners far-removed from theaters of war, each essay interrogating the Crimean War’s sonic archive in order to address a broad set of issues in musicology, ethnomusicology, literary studies, the history of the senses and sound studies.
Hearing the Crimean War: Wartime Sound and the Unmaking of Sense 1st Table of contents:
Part I Sound, Technology, Sense
1. Sympathy and Synesthesia: Tolstoy’s Place in the Intellectual History of Cosmopolitanism
2. The Revolution Will Not Be Telegraphed: Shari‘a Law as Mediascape
3. Gunfire and London’s Media Reality: Listening to Distance between Piano, Newspaper, and Theater
4. Overhearing Indigenous Silence: Crimean Tatars during the Crimean War
Part II Voice at the Border
5. Orienting the Martial: Polish Legion Songs on the Map
6. Who Sings the Song of the Russian Soldier? Listening for the Sounds and Silence of War in Baltic Russia
7. A voice that carries
Part III Wartime as Heard
8. Operatic Battlefields, Theater of War
9. Earwitness: Sound and Sense-Making in Tolstoy’s Sevastopol Stories
10. InConsequence: 1853–56
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Tags: Hearing, Crimean War, Wartime Sound, the Unmaking, Sense, Gavin Williams