A History of Video Art 2nd Edition by Chris Meigh Andrews 0857851780 9780857851789
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ISBN 10: 0857851780
ISBN 13:9780857851789
Author: Chris Meigh Andrews
A History of Video Art is a revised and expanded edition of the 2006 original, which extends the scope of the first edition, incorporating a wider range of artists and works from across the globe and explores and examines developments in the genre of artists’ video from the mid 1990s up to the present day. In addition, the new edition expands and updates the discussion of theoretical concepts and ideas which underpin contemporary artists’ video. Tracking the changing forms of video art in relation to the revolution in electronic and digital imaging that has taken place during the last 50 years, A History of Video Art orients video art in the wider art historical context, with particular reference to the shift from the structuralism of the late 1960s and early 1970s to the post-modernist concerns of the 1980s and early 1990s. The new edition also explores the implications of the internationalisation of artists’ video in the period leading up to the new millennium and its concerns and preoccupations including post-colonialism, the post-medium condition and the impact and influence of the internet.
A History of Video Art 2nd Table of contents:
Part I: The Origins of Video Art: The Historical and Cultural Context
Introduction
1. In the Beginning: The Origins of Video Art
2. Crossing Boundaries: International Tendencies and Influences in Early Artists’ Video
3. Technology, Access and Context: Social and Political Activists and their Role in the Development
4. Expanded Cinema: The Influence and Relationship of Experimental, Avant-Garde and ‘Underground
5. Musique Concrète, Fluxus and Tape Loops: The Influence and Impact of Sound Recording and Experim
6. Theory and Practice: The Influence and Impact of Theoretical Ideas on Early Technology-Based Prac
7. Beyond The Lens: Abstract Video Imagery and Image Processing
Part II: A Discussion of Some Representative and Influential Video Artworks Set in Relation to their
8. In and Out of the Studio: The Advent of Inexpensive Non-Broadcast Video
9. Cutting It: Accessible Video Editing
10. Mixing It: Electronic/Digital Image Manipulation
11. The Gallery Opens its Doors: Video Installation and Projection
12. The Ubiquity of the Video Image: Artists’ Video as an International Phenomenon
Part III: The Development of Artists’ Video and Video Installation in Response to Technological Ch
13. Fields, Lines and Frames: Video as an Electronic Medium
14. The Means of Production: Feminism and ‘Otherness’ – Race, Gender, Technology and Access
15. Off the Wall: Video Sculpture and Installation
16. Going Digital: The Emergence of Digital Video Editing, Processing and Effects
17. Video Art in the New Millennium: New Developments in Artists’ Video since 2000
Part IV: References
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