Adaptation Considered as a Collaborative Art: Process and Practice 1st Edition by Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff ISBN 3030251632 978-3030251635

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ISBN 10: 3030251632 

ISBN 13: 978-3030251635

Author:  Bernadette Cronin, Rachel MagShamhráin, Nikolai Preuschoff

This book examines the processes of adaptation across a number of intriguing case studies and media. Turning its attention from the ‘what’ to the ‘how’ of adaptation, it serves to re-situate the discourse of adaptation studies, moving away from the hypotheses that used to haunt it, such as fidelity, to questions of how texts, authors and other creative practitioners (always understood as a plurality) engage in dialogue with one another across cultures, media, languages, genders and time itself. With fifteen chapters across fields including fine art and theory, drama and theatre, and television, this interdisciplinary volume considers adaptation across the creative and performance arts, with a single focus on the collaborative.

Table of contents: 

1. Introduction
2. Collaborating with the Dead: Adapters as Secret Agents
3. Playing ‘the maids’: Devising an Adaptation—Collaboration and the Actor’s Process
4. The Not-So-Singular Life of Albert Nobbs
5. Adaptation, Devising and Collective Creation: Tracing Histories of Pat McCabe’s The Butcher Boy on Stage
6. The Alien World of Objects: Stanley Kubrick’s The Killing
7. Adapting History in the Docupoetry of Lorna Dee Cervantes and Script Poems of Danez Smith and Claudia Rankine
8. “His world had vanished long before he entered it”: Wes Anderson’s Homage to Stefan Zweig
9. Collaborative Art with Political Intent: The 1933 Adaptation of Theodor Storm’s Der Schimmelreiter/The Rider on the White Horse
10. Adapting Hein’s Willenbrock: Andreas Dresen and the Legacy of the GDR ‘Ensemble’ Tradition
11. Same Player, Shoot Again: Géla Babluani’s 13 (Tzameti), Transnational Auto-Remakes, and Collaboration
12. Anselm Kiefer’s Signature: Or—Adapting God
13. Adaptation as Arguing with the Past: The Case of Sherlock
14. The Prestige Novelisation of the Contemporary Television Series: David Hewson’s The Killing
15. Things You Can Do to an Author When He’s Dead: Literary Prosthetics and the Example of Heinrich von Kleist
16. Collaborating with the Dead, Playing the Shakespeare Archive; Or, How to Avoid Being Pushed from Our Stools

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Bernadette Cronin,Rachel MagShamhráin,Nikolai Preuschoff,Adaptation Considered,Collaborative Art