Animism in Art and Performance 1st Edition Christopher 3319665502 9783319665504

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Product details:

• ISBN-10 ‏ : ‎ 3319665502
• ISBN-13 ‏ : ‎ 9783319665504
• Author: Christopher Braddock

This book explores Māori indigenous and non-indigenous scholarship corresponding with the term ‘animism’. In addressing visual, media and performance art, it explores the dualisms of people and things, as well as ‘who’ or ‘what’ is credited with ‘animacy’. It comprises a diverse array of essays divided into four sections: Indigenous Animacies, Atmospheric Animations, Animacy Hierarchies and Sensational Animisms. Cassandra Barnett discusses artists Terri Te Tau and Bridget Reweti and how personhood and hau (life breath) traverse art-taonga. Artist Natalie Robertson addresses kōrero (talk) with ancestors through photography. Janine Randerson and sound artist Rachel Shearer consider the sun as animate with mauri (life force), while Anna Gibb explores life in the algorithm. Rebecca Schneider and Amelia Jones discuss animacy in queered and raced formations. Stephen Zepke explores Deleuze and Guattari’s animist hylozoism and Amelia Barikin examines a mineral ontology of art. This book will appeal to readers interested in indigenous and non-indigenous entanglements and those who seek different approaches to new materialism, the post-human and the anthropocene.

Table of contents:

Chapter 1 Introduction: Animism and Animacies

Chapter 2 Te Tuna-Whiri: The Knot of Eels

Chapter 3 Activating Photographic Mana Rangatiratanga Through Kōrero

Chapter 4 Dark Sun: Solar Frequencies, Solar Affects

Chapter 5 Language as a Life Form

Chapter 6 The Storm and the Still in the Art of Bridie Lunney

Chapter 7 Animate Atmospheres: Art at the Edge of Materiality

Chapter 8 Intra-inanimation

Chapter 9 Animacies and Performativity

Chapter 10 Animism, Animacy and Participation in the Performances of Darcell Apelu

Chapter 11 Exploring Posthuman Masquerade and Becoming

Chapter 12 The Animist Readymade: Towards a Vital Materialism of Contemporary Art

Chapter 13 Sound Fossils and Speaking Stones: Towards a Mineral Ontology

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