Artistic Enclaves in the Post Industrial City A Case Study of Lawrenceville Pittsburgh 1st Edition by Geoffrey Moss 3319552644 9783319552644

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ISBN-10 :  3319552644 

ISBN-13 :  9783319552644

Author:  Geoffrey Moss 

This SpringerBriefs presents a case study and theoretical analysis of an artistic enclave that emerged within Lawrenceville Pittsburgh. It briefly describes the history of greater Pittsburgh, and Lawrenceville’s transition from thriving blue-collar community to depopulated low-income neighborhood to gentrifying site of artistic and creative culture. It draws on multiple methods (e.g., interviews, observations, and survey data) to discuss the advantages and disadvantages associated with being a Pittsburgh artist, and offer a detailed description of the origins and ongoing development of Lawrenceville’s artistic enclave. It discusses this enclave in the context of sociological, historical, and interdisciplinary work on urban artistic communities (i.e., bohemian and quasi-bohemian communities), and situates it within the larger urban artistic tradition, and within its contemporary urban context. It maintains that this enclave constitutes a successful (i.e., sustainable) example of an artistic creative class enclave, a heuristic concept that clarifies and amends Richard Florida’s brief commentary on contemporary urban artistic life. It concludes by offering policy suggestions for those who wish to promote such enclaves, and a preliminary critical appraisal of their potential impact on society. 

Artistic Enclaves in the Post Industrial City A Case Study of Lawrenceville Pittsburgh 1st table of contents: 

1 Introduction
Abstract
1.1 Purposes and Limitations of the Present Project
1.2 Research Methods
1.3 Conceptualizing Lawrenceville’s Artistic Enclave
References
2 Florida’s Creative Class Thesis
Abstract
2.1 Defining the Creative Class
2.2 Florida’s Creative Class Thesis
2.3 Critical Reactions to Florida’s Work
2.4 My Critique of Florida’s Work
References
3 The Larger Urban Context
Abstract
3.1 Pittsburgh: From Industrial to Postindustrial
3.2 Pittsburgh’s Creative Class
3.3 The Pittsburgh Artist
References
4 Bohemia: Introduction and Classic Prototypes
Abstract
4.1 Introduction
4.2 The Dawn of Bohemia
4.3 Political Hopelessness and Bohemian Ambivalence
4.4 The Parisian Avant-Garde
4.5 Greenwich Village: America’s Classic Bohemia
References
5 The Growing Integration of Bourgeois and Bohemian Culture
Abstract
5.1 The Embrace of Bohemian Culture by the Middle Class
5.2 Bobo’s in Paradise
5.3 The Big Morph
References
6 Lawrenceville’s Artistic Enclave
Abstract
6.1 The Research Site: Geography, History, and Neighborhood Change
6.1.1 Reactions of Long-Time Residents
6.2 Creative Class Collaboration
6.2.1 Creative Class Collaboration at Art All Night
6.3 Maintaining a Sustainable Artistic Enclave
6.3.1 Securing Sustainable Space
6.3.2 Integrating Art and Commerce
6.3.3 Maintaining Sustainable Alternative Art Galleries
6.3.4 Maintaining a Sustainable Artistic Creative Class Scene
6.4 Long-Term Sustainability
6.5 Is Lawrenceville Bohemian: Views from the Community
6.6 An Artistic Creative Class Enclave
References
7 An Alternative to the Dominant Academic Narrative
Abstract
7.1 The Dominant Academic Narrative
7.1.1 An Alternative Narrative
7.2 Artistic Enclaves in the Post-industrial City: Lawrenceville’s Artistic Creative Class Enclave
References
8 Summary and Conclusion
Abstract
8.1 A Brief Summary
8.2 Is Lawrenceville’s Artistic Creative Class Enclave a Pittsburgh Anomaly?
8.3 The Artistic Creative Class Enclave Hypothesis
8.4 Suggestions for Public Policy
8.5 Two Cheers for the Artistic Creative Class Enclave

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