Brain Grounded Theory of Temporal and Spatial Design In Architecture and the Environment 1st Edition by Yoichi Ando ISBN 9784431558910 4431558918

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Product details:
ISBN 10: 4431558918
ISBN 13: 9784431558910
Author: Yoichi Ando

Brain Grounded Theory of Temporal and Spatial Design In Architecture and the Environment 1st Edition Table of contents:

Chapter 1: Introduction

1.1 Dimension of the Environment: Outer Universe

1.2 Dimension of Subjective Preference: Inner Universe

1.3 Three Stages of Human Life

1.4 Twilight of the Third Stage of Life of the Author: An Example

References

Chapter 2: Model of Auditory Brain System

2.1 Slow-Vertex Responses (SVR) Corresponding to Subjective Preference of the Sound Field

2.2 Electroencephalographic (EEG) and Magnetoencephalographic (MEG) Correlates of Subjective Prefere

2.2.1 EEG in Response to Change of Deltat1

2.2.2 MEG in Response to Change of Deltat1

2.2.3 EEG in Response to Change of Tsub

2.2.4 EEG in Response to Change of the IACC

2.3 Specialization of Cerebral Hemispheres for the Sound Field

2.4 Model of Auditory Brain System

References

Chapter 3: EEG and MEG Correlates of Visual Subjective Preferences

3.1 EEG Correlates of Subjective Preferences for Oscillatory Horizontal Movements of a Single Target

3.2 MEG Correlates of Subjective Preferences for Flickering Light

3.2.1 MEG Correlates of Sinusoidal Flickering Light

3.2.2 MEG Correlates of Subjective Preferences for Fluctuating Flickering Lights

3.3 Hemispheric Specialization in Vision

References

Chapter 4: Temporal and Spatial Percepts of Sound and Vision

4.1 Definitions of Temporal and Spatial Objective Factors

4.1.1 Temporal Factors for Sound and Vision

4.1.2 Spatial Factors Extracted from the Interaural Crosscorrelation Function (IACF) of the Sound Fi

4.1.3 Spatial Factors Extracted from the Spatial Autocorrelation Function (ACF) of the Visual Field

4.1.4 Temporal Windows of Signals for Autocorrelation Processing

4.2 Temporal and Spatial Percepts of Sound

4.2.1 Temporal Sensations of Sound

4.2.2 Spatial Percepts of the Sound Field

4.3 Temporal and Spatial Percepts in Vision

4.3.1 Temporal Percepts of the Missing Fundamental Phenomenon in Vision

4.3.2 Spatial Percepts in Vision

References

Chapter 5: Theory of Subjective Preference for Sound and Visual Fields

5.1 Theory of Subjective Preference for Sound Fields

5.2 Theory of Subjective Preference for Visual Fields

References

Chapter 6: Preferred Conditions of Temporal and Spatial Factors of Sound Fields

6.1 Preferred Conditions of Temporal Factors of the Sound Field

6.1.1 Optimal First Reflection Time After the Direct Sound (Deltat1)

6.1.2 Optimal Subsequent Reverberation Time After the Early Reflection (Tsub)

6.2 Preferred Conditions of Spatial Factors of Sound Fields

6.2.1 Listening Level (LL)

6.2.2 Optimal Magnitude of Interaural Crosscorrelation Function (IACC)

References

Chapter 7: Subjective Preferences in Vision

7.1 Subjective Preferences for the Temporal Factor of Flickering Lights

7.2 Subjective Preferences for the Temporal Factor of Oscillatory Movements

7.3 Subjective Preferences for Spatial Factors of Textures

References

Chapter 8: General Theory for Designing Physical Environments Incorporating Spatial and Temporal Fac

8.1 Biological Rhythms and Discrete Periods in the Physical Environment

8.2 Theory of Designing Physical Environments

8.3 Interaction Between Human Development and Environment

8.4 House Environment as a Nonverbal Teacher for Newborns

References

Chapter 9: Design Procedures for Matrix Elements Consisting of Discrete Periods and Spatial Ranks

9.1 Acoustic Environment

9.2 Visual Environment

9.3 Thermal Environment and Energy Conservation

9.4 Environmental Design for the Third Stage of Life

References

Chapter 10: Studies on Temporal Design for Visual Fields

10.1 ACF Analysis of Camphor Leaves Moving in Natural Wind

10.2 Subjective Preferences for Camphor Leaves Moving in Wind

10.3 Matching Acoustic Tempo with Camphor Leaves Moving in Wind

10.4 Studies on Temporal Design for Landscape

10.5 Drawing with Spatial “Vibrato´´ as an Artistic Expression

References

Chapter 11: Studies on Temporal Design of an Individual House

11.1 House with Creative Work Space (CWS)

11.2 Design Study of a Hillside House

References

Chapter 12: Development of the Third-Stage (Creative) Life

12.1 Annual Drama-Performance in a Village

12.2 Weekly Meeting of Children in a Village

12.3 An Example of Prompt Creative Talk

12.4 Play Area for Children

Chapter 13: Creativity-Inducing Environments for Building Culture

13.1 Individual Creations

13.1.1 Creative Work Space (CWS)

13.1.2 Integrating Knowledge

13.2 Concert Hall

13.3 Design Study of an Opera House

13.3.1 Temporal Design

13.3.2 Crystal Opera House

13.4 Open Space for Performances

References

Chapter 14: Theory of Environmental Design and Escape from Vandalism

14.1 Theory of Environmental Design Incorporating Temporal and Spatial Values

14.2 Indication of Quick Escape from Dangerous Occurrences

14.3 Escape from Effects of Aircraft Noise on Developing Children

14.4 Sleep Disturbance by Upstairs-Toilet Noise with Changing Spatial Factors

14.5 Escaping Ill Social Groups and Preserving the Third Stage of Life

References

Chapter 15: Remarks

15.1 Remarks on Personality-Oriented Preference and Creations

15.1.1 Remarks on Subjective Preference

15.1.2 Remarks onthe Theory of Subjective Preference (Chap. 5) for Designing the Environment

15.2 From an Ill Concept “Time Is Money´´ to Attaining a Healthy Currency

References

Appendices: Duration Experience and Cyclic Universe

A.1 A Model of Duration Experience in Listening to Noise and Music

A.1.1 Model of Duration Experience

A.1.2 Unconscious Duration Experience in Listening to Aircraft Noise

A.1.3 Duration Experience in Listening to Slow Music and Fast Music

A.2 Duration Experience for Each Three-Year School Term

A.3 Longest Period: Cyclic Universe

References

Index

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