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Product details:
- ISBN-13 : 9783319579481
- Author: Julia Eckel
This volume explores the selfie not only as a specific photographic practice that is deeply rooted in digital culture, but also how it is understood in relation to other media of self-portrayal. Unlike the public debate about the dangers of ‘selfie-narcissism’, this anthology discusses what the practice of taking and sharing selfies can tell us about media culture today: can the selfie be critiqued as an image or rather as a social practice? What are the technological conditions of this form of vernacular photography? By gathering articles from the fields of media studies; art history; cultural studies; visual studies; philosophy; sociology and ethnography, this book provides a media archaeological perspective that highlights the relevance of the selfie as a stereotypical as well as creative practice of dealing with ourselves in relation to technology.
Table of contents:
The Selfie in Media Theory and History
The Consecration of the Selfie: A Cultural History
Selfie Reflexivity: Pictures of People Taking Photographs
Locating the Selfie within Photography’s History—and Beyond
The Selfie as Feedback: Video, Narcissism, and the Closed-Circuit Video Installation
The Displayed Self: The Selfie as Aesthetic Object and Networked Image
The Selfie and the Face
Selfies and Authorship: On the Displayed Authorship and the Author Function of the Selfie
Competitive Photography and the Presentation of the Self
Of Duck Faces and Cat Beards: Why Do Selfies Need Genres?
The Self on Display: Technology and Dispositif of the Selfie
Interfacing the Self: Smartphone Snaps and the Temporality of the Selfie
The Video Selfie as Act and Artifact of Recording
Be a Hero: Self-Shoots at the Edge of the Abyss
Strike a Pose: Robot Selfies
Displaying the Self: Social, Political, and Creative Interventions
Selfies and Purikura as Affective, Aesthetic Labor
The Kid Selfie as Self-Inscription: Reinventing an Emerging Media Practice
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