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Product details:
- ISBN 10: 1003857469
- ISBN 13: 9781003857464
- Author: Cassandra S Tully De Lope
This book addresses Irish identity in Irish literature, especially masculinity in some of its forms through an interdisciplinary methodology. The study of language performance through literary analysis and corpus studies will enable readers to approach literary texts from both quantitative and qualitative perspectives, to take advantage of the texts’ full potential as well as examining these same texts through the perspective of gender identity. This will be carried out through a specialised corpus composed of 18 novels written by twentieth- and twenty-first-century male Irish authors. Thus, the language and behaviour patterns of contemporary Irish masculinity can be found as part of these male characters’ performance of identity. This book is primarily aimed at undergraduate and graduate students who wish to introduce themselves in the study of gender and identity in an Irish context as well as researchers looking for interdisciplinary methodologies of study. What is more, it can present researchers with varied options of analysis that corpus studies have not yet touched upon so thoroughly such as masculinity and Irish literature. As a monograph meant to show analysts new fields of study in Irish literature, this book will sell to academic libraries and can be used in MA courses.
Table of contents:
1 Introduction
1.1 Preliminary considerations
1.2 Using corpus studies in the analysis of literary texts
1.3 “Identity” as a multifaceted concept
1.4 Terminology
1.5 Organisation of this book
References
2 Irish identity, language, and masculinity
2.1 Introduction
2.2 Language as a gendered performance
2.3 Language in fiction
2.3.1 Irish English in fiction
2.4 Irish masculinity
2.4.1 Heroes, lads, father figures, and other models of masculinity in Ireland
2.4.2 Irish masculinity in fiction
2.5 Conclusion
References
3 Interdisciplinary methodologies for literary studies
3.1 Introduction: Corpus linguistics and digital humanities
3.2 Corpus stylistics
3.3 Merging discourse analysis and corpus studies
3.4 Corpus-based vs corpus-driven
3.5 Characterisation
3.6 The case of terms of address, speech acts, and body language
3.7 Conclusion
References
4 The Corpus of Male Irish Writers
4.1 Introduction: Preliminary questions when building a corpus
4.2 The creation of a corpus
4.3 The Corpus of Male Irish Writers (CMIW)
4.4 A brief insight into the novels of the CMIW
4.4.1 Characters against the world
4.4.2 Characters against each other
4.5 Conclusion
References
5 Introduction to corpus analysis and initial results
5.1 Brief insight into Sketch Engine’s interface
5.1.1 Wordlists and keywords
5.1.2 N-grams
5.1.3 Word sketches
5.1.4 Concordance: basic and advanced (CQL)
5.2 Initial results
5.2.1 Word sketches of hero, man, and lad
5.2.2 Collocates of like a man
5.3 Conclusion
References
6 Male vocatives and male hierarchy
6.1 Terms of address and functions of vocatives
6.2 Proper names (Mr Bell)
6.3 Nicknames (Charlie boy, wee Francy)
6.4 Male nouns (Father, Dad, Da)
6.5 Insults amongst male characters
6.6 Endearments
6.7 Conclusion
References
7 Adverbs and verbs of speech to imply domination
7.1 Taxonomy of verbs of speech
7.1.1 The dominance model
7.2 Queries carried out regarding verbs of speech
7.3 He + verbs of speech + adverb: He said aggressively
7.4 I + verb of speech + adverb: I said faintly
7.5 You + verb of speech + adverb: You smiled cruelly
7.6 Proper names + verb of speech + adverb: Ruttledge said quietly
7.7 Conclusion
References
8 Body language, hypermasculinity, and other models of masculinity
8.1 Introduction: Body language and masculinity
8.2 Verbs of movement
8.3 Parts of the body and masculinity
8.3.1 Eye(s)
8.3.2 Hand(s)
8.3.3 Shoulder
8.3.4 Arm(s)
8.3.5 Head
8.4 Conclusion
References
9 Conclusion
9.1 The research in this book
9.2 Contribution to the field of literary and linguistic research
9.3 Indexicality and Irish masculinities
9.4 Concluding remarks and future lines of investigation
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