Music Technology with Swing 13th International Symposium CMMR 2017 Matosinhos Portugal September 25 28 2017 Revised Selected Papers Mitsuko Aramaki

Music Information Retrieval, Automatic Recognition, Estimation and Classification

Automatic Recognition of Sound Categories from Their Vocal Imitation Using Audio Primitives Automatically Found by SI-PLCA and HMM

Automatic Estimation of Harmonic Tension by Distributed Representation of Chords

Automatic Music Genre Classification in Small and Ethnic Datasets

Music Genre Classification Revisited: An In-Depth Examination Guided by Music Experts

Exploring Trends in Trinidad Steelband Music Through Computational Ethnomusicology

k-Best Unit Selection Strategies for Musical Concatenative Synthesis

Electronic Dance Music and Rhythm

Groove on the Brain

Finding Drum Breaks in Digital Music Recordings

Drum Rhythm Spaces: From Global Models to Style-Specific Maps

Modulated Swing: Dynamic Rhythm Synthesis by Means of Frequency Modulation

A Hierarchical Harmonic Mixing Method

Games Without Frontiers: Audio Games for Music Production and Performance

Computational Musicology

Autonomous Composition as Search in a Conceptual Space: A Computational Creativity View

On Linear Algebraic Representation of Time-span and Prolongational Trees

Four-Part Harmonization: Comparison of a Bayesian Network and a Recurrent Neural Network

On Hierarchical Clustering of Spectrogram

deepGTTM-III: Multi-task Learning with Grouping and Metrical Structures

Analyzing Music to Music Perceptual Contagion of Emotion in Clusters of Survey-Takers, Using a Novel Contagion Interface: A Case Study of Hindustani Classical Music

Sound in Practice: Auditory Guidance and Feedback in the Context of Motor Learning and Motor Adaptation

Inscribing Bodies: Notating Gesture

Auditory Modulation of Multisensory Representations

Music and Musical Sonification for the Rehabilitation of Parkinsonian Dysgraphia: Conceptual Framework

Investigating the Role of Auditory Feedback in a Multimodal Biking Experience

Considerations for Developing Sound in Golf Putting Experiments

Human Perception in Multimodal Context

Feel It in My Bones: Composing Multimodal Experience Through Tissue Conduction

Enriching Musical Interaction on Tactile Feedback Surfaces with Programmable Friction

Assessing Sound Perception Through Vocal Imitations of Sounds that Evoke Movements and Materials

Exploration of Sonification Strategies for Guidance in a Blind Driving Game

DIGIT: A Digital Foley System to Generate Footstep Sounds

Cooperative Music Networks and Musical HCIs

Composing and Improvising. In Real Time

bf-pd: Enabling Mediated Communication and Cooperation in Improvised Digital Orchestras

Visual Representations for Music Understanding Improvement

Melody Transformation with Semiotic Patterns

The Comprovisador’s Real-Time Notation Interface (Extended Version)

JamSketch: Improvisation Support System with GA-Based Melody Creation from User’s Drawing

Virtual and Augmented Reality

Mobile Devices as Musical Instruments – State of the Art and Future Prospects

Augmenting Virtuality with a Synchronized Dynamic Musical Instrument: A User Evaluation of a Mixed Reality MIDI Keyboard

Toward Augmented Familiarity of the Audience with Digital Musical Instruments

Use the Force: Incorporating Touch Force Sensors into Mobile Music Interaction

Sonifying Twitter’s Emotions Through Music

Research and Creation: Spaces and Modalities

Reflections on the Use of Musical Software in Compositional Processes for Light Art

SELFHOOD: An Evolutionary and Interactive Experience Synthesizing Images and Sounds

Music(s), Musicology and Science: Towards an Interscience Network

Reading Early Music Today: Between Reenactment and New Technologies

ArtDoc – An Experimental Archive and a Tool for Artistic Resear