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Non Representational Theory and the Creative Arts 1st Edition by Candice Boyd, Christian Edwardes ISBN 0367333422 9780367333423

Name: Non Representational Theory and the Creative Arts 1st Edition by Candice Boyd, Christian Edwardes ISBN 0367333422 9780367333423
SKU: EB-9961360
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Non-Representational Theory and the Creative Arts Candice P. Boyd Digital Instant Download

Author(s): Candice P. Boyd, Christian Edwardes

ISBN(s): 9789811357480, 9789811357497, 981135748X, 9811357498

Edition: 1st ed.

File Details: PDF, 10.81 MB

Year: 2019

Language: English

SKU: EB-9961360 Categories: Politics & Philosophy, Society Tags: Candice P. Boyd, Christian Edwardes

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Non Representational Theory and the Creative Arts 1st Edition by Candice Boyd, Christian Edwardes- Ebook PDF Instant Download/Delivery: 0367333422 ,9780367333423
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Product details:
ISBN 10: 0367333422
ISBN 13: 9780367333423
Author: Candice Boyd, Christian Edwardes

Foremost, this book is about the experimental forces that guide creative practice —forces of which we are aware but also those that we are not. This book is also about space —the ways in which it is created, co-constructed, vital , emergent , transient , and contingent . What it serves to highlight is a breadth and depth of creative practice which struggles and celebrates the things of this world that are fleeting , ephemeral , not-quite-subjective , diffused , distributed , and difficult to grasp. It is about the ways in which artists and geographers have turned to a mode of creative praxis which is situated yet uncertain in order to extend the limits of artistic and geographical knowledge , and it is about the ways in which geographers and artists have mutually informed and inspired one another to create work which locates itself at the ‘bleeding’ edge of the art–geography nexus. As editors, it is our sincere hope that this book prompts a rethinking of the relationship between geography and art—for what they share and what they offer one another as disciplines, and for the potential they each hold for constructive and creative collaboration . In what follows by way of an introduction, we provide an overview of the historical dialogue between art and geography , their shared theoretical underpinnings in relation to creative practice , and the recent turn to the non-representational —a movement in practice and thought which has brought these two disciplines closer than ever before.

Non Representational Theory and the Creative Arts 1st Edition Table of contents:

Part 1: Situated Practices in Art, Craft, and Design

1. Geo/graphic Design
1. Geologic Landscape: A Performance and a Wrecked Mobile Phone
1. Micro-Geographies of the Studio
1. Making, Knowing, and Being Made: Hand-Stitching Beyond Representation
1. Feeling Queer Art in Public: The Gay Liberation Monument

Part 2: Artistic Engagements with Geography

1. Affecting Objects: Enacting Gesture within a Performative Research Enquiry
1. Circadian Rhythms, Sunsets, and the Representational Thresholds of Time-Lapse Photography
1. “Call That Art? I Call It Bad Eyesight”: Seeing or Not Seeing in the Context of Responsive Art Practice
1. Forward, Back, Together – and the Materialities of Taking Part
1. Where Does ‘Your’ Space End and the Next Begin? Non-Representational Geographies of Improvised Performance

Part 3: Geographers Exploring Artistic Practice

1. Making Theatre That Matters: Troubling Subtext, Motive, and Intuition
1. Creativity, Labour, and Captain Cook’s Cottage: From Great Ayton to Fitzroy Gardens
1. Material Conditions in the Post-Human City
1. Attuning to the Geothermal-Urban: Kinetics, Cinematics, and Digital Elementality
1. Thresholds of Representation: Physical Disability in Dance and Perceptions of the Moving Body
Interlude: Supervising

Part 4: Sound, Music, and Creative Mobilities

1. Audio Recording as Performance
1. Psy(co)motion: Anti-Production and Détournement in Affective Musical Cartographies
1. Walk with Me
1. Imaginal Travel: An Expedition in Fine Art Practice in Search of the Loneliest Palm
1. Fragments (formerly Tales from the Asylum)
1. On Edge: Writing Non-Representational Journeys
Afterword: Sensing the World Anew