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Product details:
- ISBN 10: 3030144712
- ISBN 13: 9783030144715
- Author: Rūta Stanevičiūtė
This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer’s and listener’s perceptions. In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy. This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music.
Table of contents:
Part I. Interrogating Essence
1. Essence or Context?
2. Music, Essence and Context
3. Essence Facilitating Plurality: Theorizing Art with Schelling
4. Aristotle Meets Schumann: Essence and Geist
5. Musical Images in the Tanakh: Between Their Essence, Context and Interpretation
6. Hsi Kang’s Reflection on the Essence of Music: “Hesheng”
Part II. Genesis and Structure
7. Deleuze, Ruyer, and Musical Morphogenesis
8. The Biological Constraints on Musical Structure as the Foundations of Musical Essence
9. ‘In-Between’ the Autonomous and Contingent Worlds of Music
10. Formulating the Essence All Together
11. Mathesis as the Source of Beauty in Music
12. Some Remarks on Verbal Models in Music
13. On the Role of Intonation in Music and Communication Practices
Part III. Musical Work and Performance
14. In Defense of Authentic Performance: Adjust Your Ears, not the Music
15. Where Is the Essence of a Musical Work?
16. Performance as Understanding in Action: Re-thinking the Concept of Musical Experience
17. What Is a Musical Act? Understanding Improvisation Through Artefact and Performance
18. The Experience of Music as a Process of [Self] Development
19. Essence and Context: Exploring the Links Between Music and Philosophy in the Light of Henriette Renié’s Reflections
20. Redefining Essence: Tuning and Temperament of Chinese Traditional Music
Part IV. Musical Aesthetics of Modernity
21. The Final Radicalism of the Avant-Garde and Its Postmodernist Consequences
22. Essence and Context: Process of Becoming and Dialectical Temporality in Adorno and Nono
23. The Distance of Presque-rien Between the Musicology and the Philosophy of Music
24. Mikhail Gnessin on the Essence of Music and Russian Music
25. Reflections About the Essence of Music in a Special Context: Music Reviews by Yuri Ofrosimov and Ludmila Landau in Berlin in the 1920s
26. Essence, Context and Meaning in Versions of Wagner’s Wesendonck Lieder by Wagner, Mottl and Henze
27. Leitfigur Beethoven: Thoughts on the Development of German Musicology in Light of the 1968 Movement
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