Postcolonial Piracy Media Distribution and Cultural Production in the Global South 1st Edition by Seth Giddings, Lars Eckstein, Anja Schwarz ISBN 1472519429 9781472519429

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Product details:

ISBN 10:      1472519429

ISBN 13: 978-1472519429

Author:      Seth Giddings, Lars Eckstein, Anja Schwarz

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com.

Across the global South, new media technologies have brought about new forms of cultural production, distribution and reception. The spread of cassette recorders in the 1970s; the introduction of analogue and digital video formats in the 80s and 90s; the pervasive availability of recycled computer hardware; the global dissemination of the internet and mobile phones in the new millennium: all these have revolutionised the access of previously marginalised populations to the cultural flows of global modernity.

Yet this access also engenders a pirate occupation of the modern: it ducks and deranges the globalised designs of property, capitalism and personhood set by the North. Positioning itself against Eurocentric critiques by corporate lobbies, libertarian readings or classical Marxist interventions, this volume offers a profound postcolonial revaluation of the social, epistemic and aesthetic workings of piracy. It projects how postcolonial piracy persistently negotiates different trajectories of property and self at the crossroads of the global and the local.

Postcolonial Piracy Media Distribution and Cultural Production in the Global South 1st  Table of contents:

Part 1: Conceptions: The Domain of Postcolonial Piracy

• 1. Revisiting the Pirate Kingdom by Ravi Sundaram: This piece likely revisits the historical and cultural significance of piracy, exploring how it intersects with postcolonial societies. It might look at piracy as a form of resistance or subversion within the contexts of colonialism and globalization.
• 2. Beyond Representation: The Figure of the Pirate by Lawrence Liang: Liang’s work probably examines the representation of pirates in media and culture, critiquing stereotypical portrayals and exploring the deeper meanings behind the figure of the pirate in postcolonial discourse.
• 3. On the Benefits of Piracy by Volker Grassmuck: This article seems to explore the positive aspects of piracy, possibly reframing it as a tool for social and economic empowerment, particularly in postcolonial contexts where piracy challenges intellectual property laws.
• 4. ‘Dreaming with BRICs?’ On Piracy and Film Markets in Emerging Economies by Shujen Wang: Wang’s contribution likely discusses how emerging economies, particularly those in the BRICs (Brazil, Russia, India, China, South Africa), navigate the global film market, where piracy plays a central role in both consumption and production.

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Part 2: Reflections: Reframing the Discourse of Postcolonial Piracy

• 5. The Paradoxes of Piracy by Ramon Lobato: Lobato probably explores the contradictions inherent in piracy—how it is both illegal and yet often an essential part of informal economies or a form of resistance to dominant cultural powers.
• 6. Depropriation: The Real Pirate’s Dilemma by Marcus Boon: This piece seems to delve into the philosophical or ethical dilemmas surrounding piracy, particularly in terms of intellectual property rights, access to knowledge, and the politics of ownership in a postcolonial context.
• 7. Keep on Copyin’ in the Free World? Genealogies of the Postcolonial Pirate Figure by Kavita Philip: Philip’s work likely traces the historical roots of the figure of the pirate in postcolonial societies, examining how this figure has evolved and what it represents in relation to colonial histories and modern global economies.
• 8. Interrogating Piracy: Race, Colonialism and Ownership by Adam Haupt: Haupt’s essay likely explores how issues of race, colonial history, and ownership intersect with the practice of piracy, particularly focusing on how piracy is often racialized and tied to historical exploitation.

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Part 3: Selections: The Work of Postcolonial Piracy

• 9. To Kill an MC: Brazil’s New Music and its Discontents by Ronaldo Lemos: Lemos likely examines the relationship between piracy and the music industry in Brazil, specifically how new forms of music in Brazil interact with piracy, possibly focusing on both the resistance to copyright law and the challenges of distributing music in a postcolonial context.
• 10. ‘Justice With my Own Hands’: The Serious Play of Piracy in Bolivian Indigenous Music Videos by Henry Stobart: Stobart’s work seems to investigate the role of piracy in Bolivian indigenous music culture, possibly looking at how piracy challenges traditional notions of authorship and justice within indigenous communities.
• 11. Money Trouble in an African Art World: Copyright, Piracy and the Politics of Culture in Postcolonial Mali by Ryan Thomas Skinner: Skinner likely explores the complex relationship between copyright, piracy, and cultural politics in postcolonial Mali, possibly discussing how local artists navigate global systems of intellectual property and cultural ownership.
• 12. Hacking and Difference: Reflections on Authorship in the Postcolonial Pirate Domain by Satish Poduval: Poduval’s essay seems to consider hacking as a form of piracy, examining how digital piracy (e.g., hacking, software piracy) intersects with issues of authorship, access, and the broader politics of difference in postcolonial societies.

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