Postscript Writing After Conceptual Art 1st Edition by Andrea Andersson ISBN 144262101X 9781442621015

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ISBN 10: 144262101X 
ISBN 13: 9781442621015
Author: Andrea Andersson

One of the most important movements in twenty-first century literature is the emergence of conceptual writing. By knowingly drawing on the histories of art and literature, conceptual writing upended traditional categorical conventions.

Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves. Using new and old technology, and textual and visual modes including appropriation, transcription, translation, redaction, and repetition, the contributors actively challenge the existing scholarship on conceptual art. Rather than segregating the work of visual artists from that of writers we are shown the ways in which conceptual art is, and remains, a mutually supportive interaction between the arts.

Postscript Writing After Conceptual Art 1st Table of contents:

“I, too, wondered …”: An Introduction to Conceptual Writing after Conceptual Art

The Conceptualist Turn: Wittgenstein and the New Writing

From “The Fate of Echo” (Introduction to Against Expression: An Anthology of Conceptual Writing)

Was Ist Los

Echo ‘Hχώ

Sharon Hayes and Most People

Keynote: What Do We Mean by Performance Writing?

Rescuing the Past: Repetition and Re-enactment in Jeremy Deller, Andrea Geyer, and Sharon Hayes

From Notes on Conceptualisms

The Melancholy of Conceptualism

Untimely Models

Indifferent Voices

A Week of Blogs for the Poetry Foundation

Give Them What They Want: Populist Rhetoric in Conceptual Art and Writing

To Teach and Delight – A Few Precedents for an Art of Instruction

Semantic Analysis: The Art of Parsing Found Text

Conceptual Computing and Digital Writing

Poetry without Poets

Documents from “True Mirror”

From Materiality to Dematerialization and Back: Conceptual Writing in a Digital Age

Little Bastard: The Invention and Introduction of a New Word

What Was Conceptual Writing?

The Bioinformatic Sublime: The Life of Data and the Data of Life in Conceptual Writing

Two Dots over a Vowel

Like in Valencia: On Translating Equivalence

Russian Lessons for Conceptual Writing

Reading as Art

Ambivalence of the Grid

The Concrete, The Conceptual, and the Galáxias

N.B.

Plagiarism: A Response to Thomas Fink

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