Street Photography Is Cool 1st Edition by John Lewell B07NVNM9XH

Street Photography Is Cool 1st Edition by John Lewell – Ebook PDF Instant Download/DeliveryISBN:  B07NVNM9XH 

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ISBN-10 :  B07NVNM9XH

Author: John Lewell 

Whether you’re an aspiring street photographer or someone who just loves to read books packed with ideas and inspiration you’ll enjoy “Street Photography Is Cool,” John Lewell’s provocative and illuminating take on this challenging photographic genre.

At a time when one or two critics say that street photography has lapsed into repetition and cliché, the author puts forward a powerful argument for renewing our efforts to extend the art form and take it forward, screaming perhaps, into the twenty-first century.

Street Photography Is Cool 1st table of contents:

Section One – Because It’s Contradictory, Like the Human Condition
Section One Intro
1. It’s All About People
2. Yet People Can Be Absent
3. It Can Be Tough & Gritty
4. Or Shamelessly Picturesque
5. Fun to Do on Sunny Days
6. Get Cooler Shots on Rainy Days
7. It’s Difficult to Do Well
8. But Is Sometimes Quite Easy
9. Street Photography: Superficial?
10. But It Can Also Be Profound
11. It Has An Emotional Side
12. But It’s Often Deadpan
13. It’s Becoming More Colourful
14. Yet Once Was Only Monochromatic
15. Sometimes Precisely Meaningful
16. Often Apparently Meaningless
17. It’s All About Light
18. It’s All About Shadows
19. It Captures a Moment in Time
20. Or Creates a Timeless Moment
21. It Can Be Glamourous
22. It Can Be Seedy
23. There’s Beauty In It
24. And Ugliness, Too
25. Funny? Lighthearted? Amusing?
26. Or Solemn, Serious & Earnest?
Section Two – Because It Helps Us View the World As It Is
Section Two Intro
27. Recording the Chaos of the Street
28. Bringing Order from Chaos
29. Looking and Seeing
30. Getting a Balanced View
31. Awareness of Change
32. You’re Shooting for History
33. More Than Just Surfaces
34. Chasing Down Details
35. Form v. Content, Form Wins
36. Content v. Form, Content Wins
37. Words Are Mostly Content
38. The Viewer’s Imagination
39. Dramatise, Undramatise
40. It’s a Colourful World
41. Getting Up Close & Personal
42. Taking the Longer View
43. The Extended Moment
44. Multiple Moments in One Shot
Section Three – Because It Can Tolerate Many Compositional Structures
Section Three Intro
45. It Depends How You See It
46. The Cinematic Style
47. The Beauty of Symmetry
48. The Beauty of Asymmetry
49. The Joy of Juxtaposition
50. All Kinds of Contrast
51. Achieving Balance
52. Deliberate Imbalance
53. The Complexity of Layers
54. Getting the Flat Look
55. The Urge to Simplify
56. Tending Towards Abstraction
57. Anchored by a Central Object
58. Using Visual Rhythms
59. Wide Angle v. Short Telephoto
60. From Above or Below
61. Deliberately Confusing Images
62. Subject in the Centre: Simples!
Section Four – Because It’s a Very Democratic Art Form
Section Four Intro
63. It Has a Low Cost of Entry
64. Easy to Start, Hard to Improve
65. Canals, Parks, Malls Are Streets
66. People Are Equal in the Street
67. Celebrating the Ordinary
68. A Cat Can Look at a King
69. Dancing in the Streets
70. Street Eats and Drinks
71. Using Posters
72. Using Graffiti
73. Street Portraits: Candid
74. Street Portraits: Posed
75. Finding a Personal Style
Section Five – Because It’s a Tough and Potentially Perilous Activity
Section Five Intro
76. How Perilous Can It Be?
77. Defusing a Confrontation
78. Don’t Be Discourteous! Ever!
79. Is Anything Off-Limits?
80. Is Anything Else Off-Limits?
81. Right Place, Right Time
82. Hardcore Street: Too Tough to Do?
83. Bad Weather Street Photography
84. It’s OK to be Anxious
85. Limbering Up
86. Working The Scene
87. 10 Strategies for Success
88. Developing a Sixth Sense
89. Reaching “The Zone”

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Tags: Street Photography, Cool, John Lewell, photographer