The Cambridge History of Medieval Music 1 The Cambridge History of Music 1st Edition by Mark Everist, Thomas Forrest Kelly 0521513480 9780521513487

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ISBN-10 :  0521513480 

ISBN-13 :  9780521513487

Author:  Mark Everist, Thomas Forrest Kelly 

Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

The Cambridge History of Medieval Music 1 The Cambridge History of Music 1st Table of contents:

Volume I
1 Musical Legacies from the Ancient World
2 Origins and Transmission of Franco-Roman Chant
3 Sources of Romano-Frankish Liturgy and Music
4 Regional Liturgies: Spanish, Beneventan, Gallican, Milanese
5 Nova Cantica
6 Music and Prosopography
7 The Silence of Medieval Singers
8 Notation I
9 Tropes
10 Sequence
11 Music Theory
12 Vernacular Song I: Lyric
13 Vernacular Song II: Romance
14 Instruments and Their Music
15 Teaching and Learning Music
16 Music in Drama
17 The Sources
18 The Revival of Medieval Music
19 Medieval Performance Practice
20 Issues in the Modern Performance of Medieval Music
Volume II
21 Institutions and Foundations
22 Notation II
23 Rhythm and Meter
24 Tonal Organization in Polyphony, 1150–1400
25 Liturgy and Plainchant, 1150–1570
26 Early Polyphony
27 Notre Dame
28 Liturgical Polyphony after 1300
29 The Emergence of Polyphonic Song
30 Vernacular Song iii: Polyphony
31 The Thirteenth-Century Motet
32 The Fourteenth-Century Motet
33 Latin Song I: Songs and Songbooks from the Ninth to the Thirteenth Century
34 Latin Song II: The Music and Texts of the Conductus
35 Trecento I: Secular Music
36 Trecento II: Sacred Music and Motets in Italy and the East from 1300 until the End of the Schism
37 Ars subtilior
38 Citational Practice in the Later Middle Ages
39 “Medieval Music” or “Early European Music”?

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Tags: The Cambridge, Medieval Music, Cambridge History, Mark Everist, Thomas Forrest Kelly