The Experience of Poetry: From Homer’s Listeners to Shakespeare’s Readers 1st edition by Derek Attridge ISBN 0192569589 9780192569585

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ISBN 10:    0192569589
ISBN 13: 978-0192569585
Author:       Derek Attridge

The Experience of Poetry: From Homer’s Listeners to Shakespeare’s Readers 1st  Table of contents:

Part I. Ancient Greece

1. Homeric Greece: Courts and Singers

   • Poetry’s Beginnings, and Before
   • Homeric Song
   • The Singers of the Odyssey
   • A Performance of Epic Song
   • Varieties of Song
   • Hesiod

2. Archaic to Classical Greece: Festivals and Rhapsodes

   • Seventh-Century Performances: Homeric Hymns And Recited Verse
   • Iambics and Elegiacs
   • From Epic Song to Rhapsodic Recital
   • Socrates and the Rhapsode
   • Fixing the Text
   • Philosophy Versus Poetry

3. Classical Greece to Ptolemaic Alexandria: Writers and Readers

   • The Impact of Writing
   • Reading Written Verse
   • The Hellenistic Culture of Alexandria
   • Writing and Performing Hellenistic Verse
   • Callimachus’s Fifth Hymn and The Poem on the Page

Part II. Ancient Rome and Late Antiquity

4. Ancient Rome: The Republic and the Augustan Age

   • The Early Republic: The Beginnings of Latin Poetry
   • The Late Republic: Catullus and the Convivium
   • The Augustan Age: Performing Virgil
   • The Augustan Age: Horace, Ovid, Propertius

5. Ancient Rome: The Empire after Augustus

   • Recitatio And Revision
   • Pliny The Younger And Recitatio
   • Critics of Recitatio
   • Other Varieties of Performance

6. Late Antiquity: Latin and Greek, Private, Public, Popular

   • The Changing Context: Books, Language, Poetry
   • Private Reading: Ausonius
   • Professional Performance: Claudian
   • Popular Performance: Latin And Greek Accentual Hymnody

Part III. The Middle Ages

7. Early Medieval Poetry: Vernacular Versifying

   • The Rise of the Vernaculars
   • The Versifying Cowherd: Bede and Caedmon
   • The Eighth and Ninth Centuries
   • The Old English Scop and Gleoman

8. The Twelfth and Thirteenth Centuries: Performing Genres

   • The Chanson De Geste
   • The Troubadour Lyric
   • Other French Genres
   • The Germanic Languages
   • Lyric Poetry in Italy: Writing to be Read
   • Dante and The Vita Nuova
   • Poetry in Early Middle English

9. Lyric, Romance, and Alliterative Verse in Fourteenth-Century England

   • Fourteenth-Century Poetic Transmission
   • Popular Romance
   • Lyric Verse
   • The Alliterative Revival

10. Chaucer, Gower, and Fifteenth-Century Poetry in English

• Geoffrey Chaucer: Manuscripts and Shorter Poems
• Troilus and Criseyde
• The Canterbury Tales
• The Fifteenth Century

Part IV. The English Renaissance

11. Early Tudor Poetry: Courtliness and Print

• Continental Developments
• English Poetry in Print
• The Court of Henry VIII: Early Years
• The Court of Henry VIII: Later Years
• Poetry Collections
• Poetry in the 1560s and 1570s

12. Late Elizabethan and Early Jacobean Poetry: The Circulation of Verse

• The Question of Elizabethan Poetic Performance
• Reading and Reciting Poetry
• Manuscript Circulation
• Poetry in Print
• Anthologies, Miscellanies, and Commonplace Books
• Paratexts and Marginalia

13. Late Elizabethan and Early Jacobean Poetry: The Idea of the Poet

• Poetic Treatises
• Poetry and Conviviality
• Pageants, Progresses, and Masques
• Poets on Stage

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