The Extended Theory of Cognitive Creativity Interdisciplinary Approaches to Performativity 1st edition by Antonino Pennisi, Alessandra Falzone 3030220907 9783030220907

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ISBN-10 :  3030220907 

ISBN-13 :  9783030220907

Author:  Antonino Pennisi, Alessandra Falzone 

This edited volume focuses on the hypothesis that performativity is not a property confined to certain specific human skills, or to certain specific acts of language, nor an accidental enrichment due to creative intelligence. Instead, the executive and motor component of cognitive behavior should be considered an intrinsic part of the physiological functioning of the mind, and as endowed with self-generative power. Performativity, in this theoretical context, can be defined as a constituent component of cognitive processes. The material action allowing us to interact with reality is both the means by which the subject knows the surrounding world and one through which he experiments with the possibilities of his body. This proposal is rooted in models now widely accepted in the philosophy of mind and language; in fact, it focuses on a space of awareness that is not in the individual, or outside it, but is determined by the species-specific ways in which the body acts on the world. Thistheoretical hypothesis will be pursued through the latest interdisciplinary methodology typical of cognitive science, that coincide with the five sections in which the book is organized: Embodied, enactivist, philosophical approaches; Aesthetics approaches; Naturalistic and evolutionary approaches; Neuroscientific approaches; Linguistics approaches. This book is intended for: linguists, philosophers, psychologists, cognitive scientists, scholars of art and aesthetics, performing artists, researchers in embodied cognition, especially enactivists and students of the extended mind.

The Extended Theory of Cognitive Creativity: Interdisciplinary Approaches to Performativity 1st Table of contents:

1. Presentation
Part I. General Introduction
2. Dimensions of the Bodily Creativity. For an Extended Theory of Performativity
Part II. Embodied, Enactivist, Philosophical Approaches
3. Mindful Performance
4. A Radical Enactivist Approach to Social Cognition
5. On the Nature of Bodies. With the Help of Aristotle
Part III. Extended Theory Approaches
6. Collective Action in the Wild
7. Moderate Mindreading Priority
8. Performativity and the Ideological Construction of the Self. The Age of Narcissism and (Possibly) Beyond
Part IV. Aesthetics Approaches
9. A Bodily Take on Aesthetics: Performativity and Embodied Simulation
10. Imagination, Performativity, Technics. A (Post)Kantian Approach
11. Implications of Creativity: A New Experiential Paradigm for an Aesthetics of the Extended Mind?
Part V. Naturalistic and Evolutionary Approaches
12. Biological Individuality – A Complex Pattern of Distributed Uniqueness
13. Aspects of the Ongoing Debate on Animal Communication. (Zoo)semiotics and Cognitive Ethology
14. Natural Performativity: How to Do Things with Body Constraints
15. The Contribution of Biolinguistics to the Debate of Performativity
Part VI. Neuroscientific Approaches
16. It Doesn’t Seem_It, But It Is. A Neurofilmological Approach to the Subjective Experience of Moving-Image Time
17. Neuromodulation and Neural Circuit Performativity: Adequacy Conditions for Their Computational Modelling
18. Neural Representations in Context
Part VII. Linguistics Approaches
19. First Person Implicit Indirect Reports in Disguise
20. Performance of Understanding: Pragmatics and Fast and Frugal Heuristics
21. Happiness and Unhappiness of Performative Acts: Acquisition of L2 and Psychopathological Behaviors
22. The Silent Work of Speech. On an Enactive Grammar’s Insight

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Tags: The Extended Theory, Cognitive Creativity, Interdisciplinary Approaches, Performativity, Antonino Pennisi, Alessandra Falzone