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Product details:
- ISBN 10: 1000213072
- ISBN 13: 9781000213072
- Author: Gil Pasternak
The Handbook of Photography Studies is a state-of-the-art overview of the field of photography studies, examining its thematic interests, dynamic research methodologies and multiple scholarly directions. It is a source of well-informed, analytical and reflective discussions of all the main subjects that photography scholars have been concerned with as well as a rigorous study of the field’s persistent expansion at a time when digital technology regularly boosts our exposure to new and historical photographs alike. Split into five core parts, the Handbook analyzes the field’s histories, theories and research strategies; discusses photography in academic disciplinary and interdisciplinary contexts; draws out the main concerns of photographic scholarship; interrogates photography’s cultural and geopolitical influences; and examines photography’s multiple uses and continued changing faces.
Table of contents:
PART I HISTORIES AND APPROACHES
Studying Photography in Shifting Academic Landscapes
1 A Canonical History of Photography
2 The Social History of Photography
3 The Eye-Witness of Humanity: Changing Approaches to Photography’s Relationship to Society and Culture
4 Photographic Itineraries in Time and Space: Photographs as Material Objects
5 Forces and Forms: Theories and Methods in the History of Photography
PART II INTER/DISCIPLINARY CONCERNS
Disciplining Photography and Reframing Disciplinary Interests
6 Photography in the Social and Behavioral Sciences: Intersections, Research Modes, and Prospects
7 After Photography as Contemporary Art
8 Photography after Philosophy
9 Photography and the Business of Doing History
10 Archaeology and Photography
PART III ISSUES AND DEBATES
Enduring Concerns in Photography Studies
11 Politics and Photography: Being Together, with Photographs
12 Photography and the Making of Modern Science
13 Photography as a Cultural Industry: A Historical-Theoretical Overview
14 Site of Ongoing Struggle: Race and Gender in Studies of Photography
15 Objects of Denigration and Desire: Taking the Amateur Photographer Seriously
16 Photography Meets Social Media: Image Making and Sharing in a Continually Networked Present
PART IV CULTURE AND GEOPOLITICS
Global and Local Forces in Photography Studies
17 Australian Photographic Histories After Colonialism
18 Beyond Orientalism: Toward a History of Indigenista Photography in the Arab World
19 Photography’s Appearances in China
20 From Authenticity to Intimacy: Practicing Photography and Studying its History in Czechoslovakia and the Czech Republic
21 Photographic Histories and Practices in Southern Africa
22 American Photographic Indicators: Addressing the Photo-Political State of a Contested Union
PART V USES AND INTERACTIONS
Photography’s Changing Faces
23 Viewing and Display: Pre-Photography to the 1970s
24 Representing News with Photographs: A Visual Economy
25 Photographs at/of/and Museums
26 “Working Objects in Their Own Time”: Photographs in Archives
27 Domestic Collections
28 Future Technology in Photography: From Capture to Use of Images
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