The Latin American Counter Road Movie and Ambivalent Modernity 1st Edition by Nadia Lie 3319451381 9783319451381

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ISBN-10 ‏ : ‎3319451381 

ISBN-13 ‏ : ‎ 9783319451381

Author: Nadia Lie 

This book offers a comprehensive and systematic overview of the flourishing genre of the contemporary Latin American road movie, of which Diarios de motocicleta and Y tu mamá también are only the best-known examples. It offers the first systematic survey of the genre and explains why the road movie is key to contemporary Latin American cinema and society. Proposing the new category of “counter-road movie,” and paying special attention to the genre’s intricate relationship to modernity, Nadia Lie charts the variety of the road movie through films by both renowned and emerging filmmakers. The Latin American (Counter-) Road Movie and Ambivalent Modernity engages with ongoing debates on transnationalism and takes the reader along a wide range of topics, from exile to undocumented migration, from tourism to internally displaced people.

The Latin American (Counter-) Road Movie and Ambivalent Modernity 1st Table of contents:

Chapter 1: Introduction
The Rebirth of Latin American Cinema
Defining the Road Movie
The Counter-Road Movie
Road Movies and Latin American Modernity
Presentation of the Book
Notes
References
Chapter 2: Traveling Across Latin America
Journeys of (Self-)Discovery: Diarios de motocicleta
The Search: El viaje
Journeys of Flight: AmigomÍo
Notes
References
Chapter 3: Nations in Crisis
The Nation as Construct: Y tu mamÁ también (Alfonso Cuarón, 2002)
The Nation as Legacy: Guantanamera (Toms Gutiérrez Alea and Juan Carlos Tabío, 1995)21
The Nation as Loss: Mundo grúa (Pablo Trapero, 1999)
Notes
References
Chapter 4: The Patagonian Pull
Stranded Journeys Outside Modernity: Alejandro Agresti, Eduardo Milewicz, and Pablo Trapero
Inside (Hybrid) Modernity: Carlos Sorín
The Borders of Modernity: Lisandro Alonso
Notes
References
Chapter 5: Heading North: Migrants and the US-Mexican Border
The US-Mexican Border and the Migration Road Movie
Between the Western and the Road Movie: Los tres entierros de Melquiades Estrada/The Three Burials o
A Romantic Counter-Road Movie: Norteado (Rigoberto Perezcano, 2009)
Between Fiction and Documentary: La jaula de oro (Diego Quemada-Díez, 2013)
Epilogue
Notes
References
Chapter 6: Internally Displaced People Roaming the Roads
Displaced Amazonians: Iracema. Uma transa amazônica (Jorge Bodanzky and Orlando Senna, 1975)
Relegados: La frontera (Ricardo Larraín, 1991)
Damnificados: El chico que miente (Marité Ugs, 2010)
Desplazados: Retratos en un mar de mentiras (Carlos Gaviria, 2010)
Notes
References
Chapter 7: Gazing at Tourists
Countering the Tourist Gaze: Qué tan lejos (Tania Hermida, 2006)
Blurring the Tourist Gaze: Turistas (Alicia Scherson, 2009)
Reversing the Tourist Gaze: Música campesina (Alberto Fuguet, 2011)

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Tags: The Latin, American, Road Movie, Ambivalent Modernity, Nadia Lie