The music and sound of experimental film 1st Edition Holly Rogers

1. Absolute Sounding Images: Abstract Film and Radio Drama of the 1920s as Complementary Forms of a Media-Specific Art

2. A Primitivism of the Senses: The Role of Music in Len Lye’s Experimental Animation

3. An Educational Avant-Garde: Sound and Music in Julien Bryan’s OIAA Films on Latin America, 1942–1949

4. “bump … bup … bup”: Aural Innovation in the Films of Norman McLaren

5. Sights and Sounds of the Moving Mind: The Visionary Soundtracks of Stan Brakhage

6. Discontinuities and Resynchronisations: The Use of Sound in Polish Experimental Cinema from the 1930s to the 1980s

7. Grid Intensities: Hearing Structures in Chantal Akerman’s Films of the 1970s

8. Meaning and Musicality: Sound-Image Relations in the Films of John Smith

9. Audiovisual Dissonance in Found-Footage Film

10. Rebalancing the Picture-Sound Relationship: The Audiovisual Compositions of Lis Rhodes

11. Sounding Decay in the Digital Age: “Audio-Visions” of  Decasia (2002) and Lyrical Nitrate (1991)

12. The Sound of Queer Experimental Film

13. Avant-Gardists and the Lure of Pop Music

14. The Music of Gustav Mahler in Experimental Film Contexts: Questions of Visual Music and Interm