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Product details:
- ISBN-10 : 0262037459
- ISBN-13 : 9780262037457
- Author: Henkjan Honing
Research shows that all humans have a predisposition for music, just as they do for language. All of us can perceive and enjoy music, even if we can’t carry a tune and consider ourselves unmusical. This volume offers interdisciplinary perspectives on the capacity to perceive, appreciate, and make music. Scholars from biology, musicology, neurology, genetics, computer science, anthropology, psychology, and other fields consider what music is for and why every human culture has it; whether musicality is a uniquely human capacity; and what biological and cognitive mechanisms underlie it.
Table of contents:
1: Musicality as an Upbeat to Music: Introduction and Research Agenda
2: Four Principles of Biomusicology
3: Five Fundamental Constraints on Theories of the Origins of Music
4: The Origins of Music: Auditory Scene Analysis, Evolution, and Culture in Musical Creation
5: Music as a Transformative Technology of the Mind: An Update
6: Cross-Cultural Perspectives on Music and Musicality
7: Searching for the Origins of Musicality across Species
8: Finding the Beat: A Neural Perspective across Humans and Nonhuman Primates
9: Neural Overlap in Processing Music and Speech
10: Defining the Biological Bases of Individual Differences in Musicality
11: Formal Models of Structure Building in Music, Language, and Animal Song
12: The Evolutionary Roots of Creativity: Mechanisms and Motivations
13: Affect Induction through Musical Sounds: An Ethological Perspective
14: Carl Stumpf and the Beginnings of Research in Musicality
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