The Routledge companion to art and politics First Published In Paperback Edition Martin 131756779X 9781317567790

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Product details:

• ISBN 10: 131756779X
• ISBN 13: 9781317567790
• Author: Martin

The Routledge Companion to Art and Politics offers a thorough examination of the complex relationship between art and politics, and the many forms and approaches the engagement between them can take. The contributors – a diverse assembly of artists, activists, scholars from around the world – discuss and demonstrate ways of making art and politics legible and salient in the world. As such the 32 chapters in this volume reflect on performing and visual arts; music, film and new media; as well as covering social practice, community-based work, conceptual, interventionist and movement affiliated forms. The Companion is divided into four distinct parts: Conceptual Cartographies Institutional Materialities Modalities of Practice Making Publics Randy Martin has assembled a collection that ensures that readers will come away with a wider view of what can count as art and politics; where they might find it; and how it moves in the world. The diversity of perspectives is at once challenging and fortifying to those who might dismiss political art on the one hand as not making sufficient difference and on the other to those embracing it but seeking a means to elaborate the significance that it can make in the world. The Routledge Companion to Art and Politics brings together a range of issues and approaches and encourages critical and creative thinking about how art is produced, perceived, and received.

Table of contents:

PART I Conceptual Cartographies

1 On the Zoopolitics of the Voice and the Distinction Between Nature and Culture

2 The Aesthetic Subject and the Politics of Speculative Labor

3 Art and the Politics of Time-as-Substance

4 The Choreopolitical: Agency in the Age of Control

5 Thinking Contradictory Thoughts: On the Convergence of Aesthetic and Social Factors in Recent Sociologies of Art

6 Becoming Revolutionary: On Russian Suprematism

7 Failure Over Utopia

8 What Did You Hear? Another Ten Theses on Militant Sound Investigation

PART II Institutional Materialities

9 Institutional Critique Redux

10 Social Turns: In Theory and Across the Arts

11 The Politics of Contemporary Curating: A Network Perspective

12 Perverse Joy: The Paradoxes of Censorship

13 Art Is Garbage

14 Grass Stage’s Theater of Precarity in Shanghai

15 Evangelicalism and the Gay Movement in Singapore: Witnessing and Confessing Through Masks

16 A Transformative Initiative for Achieving Cultural Equity: Community Arts University Without Walls

17 Hapticality in the Undercommons

PART III Modalities of Practice

18 Charming for the Revolution: Pussy and Other Riots

19 The Yes Men

20 16 Notes on Collectivism and Dark Matter

21 Some Notes about Art, Code, and Politics under Cloudy Empire(s)

22 The Aesthetics of Algorithmic Experience

23 Computational Aesthetics in the Practices of Art as Politics

24 Toward Participatory Aesthetics: An Interview with Claire Bishop

25 The Politics of Popular Art in India

PART IV Making Publics

26 Living Politics: The Zapatistas Celebrate their Twentieth Anniversary

27 Carnival, Radical Humor, and Media Politics

28 Dynamic Encounters and the Benjaminian Aura: Reflections on the New Media, Next Media, and Connectivity

29 Seeking a Theater of Liberation

30 By Any Means Necessary

31 If You Really Care about Change, Why Devote Your Life to Arts and Culture? Reflections of a Cultural Organizer

32 Pedagogies in the Oakland Projects

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