The Routledge Companion to Performance Philosophy Routledge Companions 1st Edition by Laura Cull Maoilearca, Alice Lagaay ISBN 1000056910 9781000056914

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ISBN 10:        1000056910
ISBN 13: 978-1000056914
Author:     Laura Cull Ó Maoilearca, Alice Lagaay

The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical essays, conversations, collaborative, creative and performative writing mapping the key contexts, debates, methods, discourses and practices in this developing field.

Firstly, the collection offers new insights on the fundamental question of how thinking happens: where, when, how and by whom philosophy is performed. Secondly, it provides a plurality of new accounts of performance and performativity – as the production of ideas, bodies and knowledges – in the arts and beyond. Comprising texts written by international artists, philosophers and scholars from multiple disciplines, the essays engage with questions of how performance thinks and how thought is performed in a wide range of philosophies and performances, from the ancient to the contemporary. Concepts and practices from diverse geographical regions and cultural traditions are analysed to draw conclusions about how performance operates across art, philosophy and everyday life.

The collection both contributes to and critiques the philosophy of music, dance, theatre and performance, exploring the idea of a philosophy from the arts. It is crucial reading material for those interested in the hierarchy of the relationship between philosophy and the arts, advancing debates on philosophical method, and the relation between Performance and Philosophy more broadly.

Chapter 19 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

The Routledge Companion to Performance Philosophy Routledge Companions 1st Table of contents:

Part I Genealogies, contexts and traditions

1 Performances of philosophy in Ancient Greece and in modernity: suddenly a philosopher enters the stage

2 Theravādin Buddhist philosophy and practice in relation to performance

3 Performance philosophy and spirituality: the way of tasawwuf

4 Whose Tempest? Performance philosophy and/as decolonial cacophony

5 The playwright as thinker: modern drama and performance philosophy

6 Performance Philosophy seen through Nishida’s ‘acting intuition’

7 Performance in Anglo-American philosophy

8 Performance Philosophy in Latin America: how to perform a Utopia called America?

9 Diminishing returns: on the performativity of musical sound

10 Performance Philosophy and the philosophy of mediality

11 The theatre of research

Part II Questions and debates

12 Opening the circle, towards a radical equality: performance philosophy and animals

13 Performance Philosophy as inter-philosophical dialogue

14 Decolonizing performance philosophies

15 Theatre-thinking: philosophy from the stage

16 Philosophy and theatre: incestuous beginnings, looking daggers and other dangerous liaisons – a dialogue

17 Aesthetics of [the] invisible: presence in Indian performance theory

Part III Methods, techniques, genres and forms

18 Performing phenomenological methodology

19 Daring to transform academic routines: cultures of knowledge and their performances

20 Resonance of two

21 Lying Fallow: anonymity and collectivity

22 Play in performance philosophy

23 Landscape performance

24 Re-telling the self: the lived experience of modern yoga practice

25 The think tank: institution as performance

26 Touch

27 In-between: a methodology of Performative Philosophy: thoughts on embodiment and the public (with Helmuth Plessner) reflecting the philosophy-performance-festival [soundcheck philosophie]

28 Africanist choreography as cultural citizenship: Thomas ‘Talawa’ Prestø’s philosophy of Africana dance

Part IV Figures

29 Rūmī

30 Adrian Piper

31 Diogenes

32 A dice thrower

33 Open text – open performance: Hélène Cixous and Ariane Mnouchkine

34 Roger Federer

35 26 Mesostics Re and not Re John Cage

36 Confucius

37 Rudolf Laban

Part V Performance as Philosophy and Philosophy as Performance

38 Theater as if theory

39 Dance as embodied ethics

40 Philosophy on Stage

41 Pas de Deux: Écriture Féminine Performative

42 Onanism, handjobs, smut: performances of self-valorization

43 Explosions of ‘creative indifference’. Salomo Friedlaender, Sun Ra, serendipity and the idea of a ‘heliocentre’

44 In the making – an incomplete consideration of the first decade of Every house has a door 2008 to 2018 as performance philosophy

45 Blackout: thinking with darkness

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