The Routledge Companion to World Cinema Routledge Media and Cultural Studies Companions 1st Edition by Rob Stone,Paul Cooke,Stephanie Denniso ISBN 1138918806 978-1138918801

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Product details:

ISBN 10: 1138918806

ISBN 13: 978-1138918801 

Author: Rob Stone, Paul Cooke, Stephanie Denniso

 The Routledge Companion to World Cinema explores and examines a global range of films and filmmakers, their movements and audiences, comparing their cultural, technological and political dynamics, identifying the impulses that constantly reshape the form and function of the cinemas of the world. Each of the forty chapters provides a survey of a topic, explaining why the issue or area is important, and critically discussing the leading views in the area. Designed as a dynamic forum for forty world-leading scholars, this companion contains significant expertise and insight and is dedicated to challenging complacent views of hegemonic film cultures and replacing outmoded ideas about production, distribution and reception. It offers both a survey and an investigation into the condition and activity of contemporary filmmaking worldwide, often challenging long-standing categories and weighted―often politically motivated―value judgements, thereby grounding and aligning the reader in an activity of remapping which is designed to prompt rethinking.

Table of contents: 

Introduction: The Longitude and Latitude of World Cinema

Part I: Longitude
Chapter 1 The Cinematic and the Real in Contemporary Chinese Cinema
Chapter 2 Southeast Asian Independent Cinema: A World Cinema Movement
Chapter 3 Global Intimacy and Cultural Intoxication: Japanese and Korean Film in the Twenty-First Century
Chapter 4 Media Refashioning: From Nollywood to New Nollywood
Chapter 5 Framing Democracy: Film in Post-Democracy South Africa
Chapter 6 Brazilian Cinema on the Global Screen
Chapter 7 Transnational Filmmaking in South America
Chapter 8 Connected in “Another Way”: Repetition, Difference and Identity in Caribbean Cinema
Chapter 9 Women’s (R)evolutions in Mexican Cinema
Chapter 10 Popular Cinema/Quality Television: The Audio-Visual Sector in Spain
Chapter 11 Contemporary Scandinavian Cinema: Between Art and Commerce
Chapter 12 British Cinemas: Critical and Historical Debates
Chapter 13 Developments in Eastern European Cinemas Since 1989
Chapter 14 Cinema at the Edges of the European Union: New Dynamics in the South and the East
Chapter 15 The Non/Industries of Film and the Palestinian Emergent Film Economy
Chapter 16 Locations and Narrative Reorientations in Arab Cinemas/World Cinema
Chapter 17 The Forking Paths of Indian Cinema: Revisiting Hindi Films Through Their Regional Networks
Chapter 18 American Indie Film and International Art Cinema: Points of Distinction and Overlap
Chapter 19 Canadian Cinema(s)
Chapter 20 Conventions, Preventions and Interventions: Australasian Cinema Since the 1970s

Part II: Latitude
Chapter 21 Cinemas of Citizens and Cinemas of Sentiment: World Cinema in Flux
Chapter 22 Transworld Cinemas: Film-Philosophies for World Cinemas’ Engagement with World History
Chapter 23 Transnational Cinema: Mapping a Field of Study
Chapter 24 “Soft Power” and Shifting Patterns of Influence in Global Film Culture
Chapter 25 Realist Cinema as World Cinema
Chapter 26 Regional Cinema: Micro-Mapping and Glocalisation
Chapter 27 Global Women’s Cinema
Chapter 28 Provincialising Heterosexuality: Queer Style, World Cinema
Chapter 29 Stars Across Borders: The Vexed Question of Stars’ Exportability
Chapter 30 Film Fusions: The Cult Film in World Cinema
Chapter 31 Perpetual Motion Pictures: Sisyphean Burden and the Global Screen Franchise
Chapter 32 Screening World Cinema at Film Festivals: Festivalisation and (Staged) Authenticity
Chapter 33 Cinephilia Goes Global: Loving Cinema in the Post-Cinematic Age
Chapter 34 Another (Hi)story?: Reinvestigating the Relationship Between Cinema and History
Chapter 35 Archival Cinema
Chapter 36 Digital Cinemas
Chapter 37 Access and Power: Film Distribution, Re-Intermediation and Piracy
Chapter 38 The Emerging Global Screen Ecology of Social Media Entertainment
Chapter 39 Remapping World Cinema Through Audience Research
Chapter 40 Eyes on the Future: World Cinema and Transnational Capacity Building

Index

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