Xu Bing Beyond the Book from the Sky 1st edition by Sarah Fraser, Yu Chieh Li ISBN 9811530645 9789811530647

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Product details:

ISBN 10:      9811530645

ISBN 13: 978-9811530647

Author:      Sarah E. Fraser, Yu-Chieh Li 

This volume offers a path-breaking reassessment of Xu Bing’s oeuvre by analyzing the diverse cultural environments in which his work has developed since the Book from the Sky.  It contains three lecture transcripts and eight art historical essays; these explore themes such as Xu’s animal works, audience participation, new ink, prints, realism, socialist spectacle, and word play. A critical question addressed in this volume is what carries art to a global level beyond regional histories and cultural symbols.

Absorbing critical essays on contemporary Chinese aesthetics addressing the social context and philosophical concerns that underlie Xu Bing’s key works. The authors analyze Xu’s art, shedding light on the tangled history of socialism and neoliberalism in the Post-Mao period.
–Prof. Dr. Lothar Ledderose, Senior Professor, Institute of East Asian Art, Universität Heidelberg

Xu Bing Beyond the Book from the Sky 1st   Table of contents:

Front Matter

This section likely includes introductory material, acknowledgments, and contextual information on Xu Bing’s work and its place in contemporary art.

Reactivating Tradition

This chapter explores how Xu Bing reinterprets traditional Chinese art forms, reactivating them in a modern context. It may involve examining his efforts to merge old and new traditions in his work.

In Dialogue with Xu Bing

A direct engagement with Xu Bing’s ideas, perhaps an interview or a series of reflections on his philosophy of art and its evolution over time. This chapter might provide insights into his approach to creativity and the cultural forces that influence his work.

Audience Participation in Xu Bing’s Works: Transcultural Issues in Global Contemporary Art

Discusses how Xu Bing involves the audience in his works and how his art bridges cultural divides. This chapter would address transcultural issues, showing how his works resonate globally and how he engages with different audiences, particularly in the context of global contemporary art.

Beyond Ink: Contemporary Experimental Ink Art

This chapter would examine Xu Bing’s departure from traditional ink art and his contributions to experimental ink art. His work often involves rethinking the role and technique of ink in a modern context, blending new media with ancient traditions.

Borrowed Bodies, Native Tongues: Xu Bing’s Animalworks

Focuses on Xu Bing’s “Animalworks,” which often explore the relationship between language, culture, and identity. This chapter would discuss how his animal sculptures and installations may represent metaphorical “borrowed bodies” or linguistic constructs, exploring how they comment on cultural and linguistic identity.

Two-Dimensionality in Installation Art: The Case of Xu Bing, Wenda Gu, and Yang Jiechang

Examines the use of two-dimensionality in the installation art of Xu Bing, Wenda Gu, and Yang Jiechang, three artists who have all created works that challenge traditional notions of space, material, and perspective. This chapter would explore how Xu Bing’s installations work within and against the constraints of two-dimensional representation.

From Small Woodcuts to Experimental Printmaking: Xu Bing in the 1980s

Traces Xu Bing’s artistic journey from traditional woodcuts to his innovative experimental printmaking in the 1980s. This period was pivotal in shaping his artistic identity, as he began to incorporate new techniques and challenge traditional forms.

Behind the Painting: Xu Bing’s Hybrid Landscapes

This chapter would focus on Xu Bing’s landscape works, which often blend traditional Chinese landscapes with elements of the modern or globalized world. “Behind the painting” suggests an exploration of the deeper meanings and layers in these works, including their commentary on the intersection of tradition and modernity.

Phoenix Project: An Afterimage of Labor

Examines the Phoenix Project, one of Xu Bing’s most iconic works. The project involved large-scale installations of phoenix sculptures made from construction materials, symbolizing themes of labor, transformation, and China’s rapid development. This chapter likely explores the themes of industrialization, labor, and socio-political change that Xu Bing’s phoenix sculptures represent.

The Changing Paradigm of Realism in China: The Case of Xu Bing

This chapter addresses how realism in Chinese art has evolved and how Xu Bing fits into this paradigm. It might compare his work with other realist movements in China and how his approach to representation challenges traditional realism.

Art as a Vehicle for Social Change: A Biographical History of Xu Bing’s Œuvre

Provides a biographical account of Xu Bing’s artistic evolution, linking his life experiences with the development of his art. It may highlight his broader social and political motivations, showing how his works serve as vehicles for social commentary and change.

Core Events of Contemporary Art from Mainland China, 1980–2015, Mainland China, the Asia-Pacific Region, and Beyond

This section likely provides a historical overview of key events in the contemporary art scene in mainland China from 1980 to 2015. It would provide context for Xu Bing’s work, discussing the development of the art world in China during this period, and positioning his contributions within broader regional and global trends in contemporary art.

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Sarah Fraser,Yu Chieh Li,Xu Bing,Beyond,Book, Sky 1st